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Lyrics You Know It Dont Come Easy

Written By jeudi 10 mars 2022 Add Comment Edit

1971 single past Ringo Starr

"It Don't Come Easy"
RSeasy.jpg

UK flick sleeve
Unmarried by Ringo Starr
B-side "Early 1970"
Released 9 Apr 1971 (1971-04-09)
Recorded March and October 1970
Studio Trident, London
Genre Rock
Length 3:00
Label Apple tree
Songwriter(south) Richard Starkey
Producer(s) George Harrison
Ringo Starr singles chronology
"Beaucoups of Blues"
(1970) 		"It Don't Come up Like shooting fish in a barrel"
(1971) 		"Back Off Boogaloo"
(1972)

"It Don't Come up Easy" is a song by English rock musician Ringo Starr that was released as a non-anthology single in April 1971. It was produced by Starr's former Beatles bandmate George Harrison, who also helped write the vocal, although only Starr is credited. Recording for the track took place in March 1970 at Trident Studios in London, with overdubs added in October. Starr and Harrison performed the song together in August 1971 at Harrison's Concert for Bangladesh shows in New York City, a recording from which was released on the live album of the same proper name. Starr has continued to perform it in subsequent decades with his All-Starr Ring.

Apart from in North America, where "Beaucoups of Dejection" had been a single in Oct 1970, "It Don't Come Like shooting fish in a barrel" was Starr's kickoff single release since the suspension-up of the Beatles. Heavily promoted by Apple Records, the song was a commercial success, peaking at number 1 in Canada and number 4 on singles charts in the UK and the United states. Information technology was critically well received on release and remains one of his nigh pop hits as a solo artist.

Background and limerick [edit]

Ringo Starr began writing "It Don't Come Easy" in late 1968, having recently completed his first composition, "Don't Laissez passer Me By".[1] When referring to his early songwriting efforts in a 2003 interview, he described himself as "swell at writing two verses and a chorus" but often unable to develop the ideas further.[2] Although Starr received sole writing credit for "Information technology Don't Come Easy", Beatles historian Bruce Spizer writes that he had "substantial, but uncredited, assist" from his bandmate George Harrison.[3] In author Robert Rodriguez's clarification, the official songwriting credit was long thought to be "bogus" and, notwithstanding Starr'southward involvement, a sign of Harrison'southward "dandy generosity" in wanting to assist the drummer constitute himself independently of the Beatles.[iv]

The song'south original championship was "You Gotta Pay Your Dues".[5] Starr completed it equally the Beatles were heading towards disbandment in early 1970,[vi] post-obit John Lennon's unpublicised conclusion to leave the grouping in September 1969.[7] Starr said that in trying to find a vocal that would constitute his identity at this time, he had to "combat... the original epitome of me equally the downtrodden drummer", adding, "You don't know how hard it is to fight that."[eight] In journalist Bob Woffinden's view, equally "It Don't Come Easy", the title solitary "[betrayed] a wealth of information" about Starr's feelings of vulnerability while the other Beatles, as proven songwriters, could each await to farther their achievements outside the ring.[ix] [nb 1]

In its completed form, the song opens and closes with a pb guitar riff.[5] Music historian Andrew Grant Jackson describes the lyrics as "Starr'south exhortation to stay resilient in the face of hardship", and he views the reference to paying "your dues" every bit an apt image, given Starr's health bug as a kid and express educational activity.[ten] In Rodriguez's view, the vocal was most probable inspired by "a Ringo-ism or 2", just the guitar riff, "quasi-philosophical" lyrics and other musical details make it a typical Harrison limerick from the menstruation.[4]

Starr subsequently acknowledged that Harrison helped write "It Don't Come Easy".[iv] [nb 2] He discussed the song'south cosmos during his advent on VH1 Storytellers in 1998.[12] Starr said: "I wrote this vocal with the one and only George Harrison." He went on to say that Harrison suggested the concluding verse be nearly God. When Starr protested, Harrison suggested Hare Krishna. Starr protested once more, and Harrison suggested "peace" equally a topic, and they settled on that.[13]

Recording history [edit]

Early on takes [edit]

Starr offset recorded the new composition during the sessions for Sentimental Journeying.[14] The latter project was an anthology of pre-stone 'n' roll standards[15] [16] that he undertook to go along active following Lennon'due south decision, and to please his mother.[17] Recording for the song began during an all-night session on 18 February 1970 at EMI Studios (now Abbey Route Studios), with George Martin producing.[14] [xviii] The studio log listed the track as "You Gotta Pay Your Dues".[xix] Harrison played audio-visual guitar and directed the other musicians – namely Starr (on drums), Klaus Voormann (bass) and Stephen Stills (pianoforte).[fourteen] [nb iii] They taped 20 takes of the basic track.[19] Starr added a song to the accept selected as all-time and Harrison two electric guitar parts,[ citation needed ] and by 4.40am the recording had been mixed.[14]

On xix February, subsequently final overdubs were carried out on "Beloved Is a Many-Splendored Thing" during an afternoon session at EMI,[22] recording resumed on "Yous Gotta Pay Your Dues", with Starr adding another pb song.[23] Harrison was non present that evening, although Eric Clapton may have been involved.[24] During the session, Starr decided to remake the song; x further takes were required to accomplish a new bones runway.[19] Have 30 was labelled "all-time" and onto this have were added 2 bass parts.[ citation needed ] This version was also discarded, however, since Starr once more decided to remake the song.[19]

Official version [edit]

March 1970 recording [edit]

Recording for the third version of "It Don't Come Easy" began at Trident Studios on 8 March 1970,[25] two days later on Starr had completed work on Sentimental Journey.[26] Harrison produced the sessions and played guitar.[27] According to author Bill Harry, Voormann and Stills again contributed on bass and piano, while the other participants included Mal Evans (on tambourine) and Ron Cattermole (saxophone, trumpet).[28] Overdubs were added to the new basic track on 11 March, once again at Trident.[29]

When news of the sessions reached the press that calendar month, Apple insisted that in that location were "absolutely no plans for the record to be released as a single at the present fourth dimension".[30] Post-obit the Beatles' break-up in April, Starr played drums on Harrison's All Things Must Pass anthology, a project that led to Starr recording a country album, Beaucoups of Blues, in Nashville.[31] [32] Despite these and other musical activities, Starr admitted to feeling "absolutely lost" with regard to his time to come outside the Beatles.[33] According to Mike Gibbins of the Apple band Badfinger, Harrison offered "It Don't Come up Easy" to Badfinger, but they did not take upwards the offer.[4] [34]

October 1970 overdubs [edit]

Work on the song resumed in October 1970,[35] [36] when Starr was otherwise contributing to Lennon's Plastic Ono Ring album and Harrison was completing All Things Must Pass.[37] Starr recorded his lead vocal at this time.[27] Former Trident engineer Ken Scott recalls that Harrison first sang a guide vocal to assist Starr with the phrasing.[38] Other overdubs included bankroll vocals past Badfinger'due south Pete Ham and Tom Evans,[27] and a new pianoforte part, played by Gary Wright.[29] Also added in October was a horn section,[24] [27] which, further to Harrison's utilise of horns on the Beatles' 1968 rail "Savoy Truffle",[10] was a staple of his 1970s productions.[39] [nb 4] Another familiar Harrison device was the Leslie speaker upshot on his atomic number 82 guitar role,[42] particularly in the vocal'southward intro.[10]

In a 2002 interview, Jim Keltner said he added maracas to the finished recording, at Trident, having arrived in London in February 1971 to escape the Los Angeles earthquake.[43] Referring to the arrangement on the completed track, author Alan Clayson highlights the combination of an opening "fizz of cymbal", Harrison's "clanging guitar arpeggios", the "fat gusto" horns, Evans' tambourine supporting the "moderato dial" of the Starr–Voormann rhythm section, and "gospel-esque" backing vocals.[44]

An early mix from the sessions has appeared on bootlegs, featuring Harrison on atomic number 82 vocal. While the instrumentation is almost identical to the released version, during the guitar intermission Ham and Tom Evans shout the line "Hare Krishna!" This was retained in the official release, but buried in the mix. Post-obit the guitar solo, there is a echo of the song's opening guitar phrase, although this section was subsequently edited out.[24]

Release and reception [edit]

Apple Records issued "Information technology Don't Come up Like shooting fish in a barrel", backed with "Early on 1970", as a unmarried on 9 April 1971 in the United Kingdom, with the catalogue number Apple R5898.[45] [46] Information technology was released on sixteen April in the U.s.a.[47] equally Apple 1831.[48] After Starr's forays into standards and country music with his ii 1970 albums,[49] it was his get-go rock record as a solo artist.[three] Although "Beaucoups of Dejection" had been issued equally a unmarried in the U.s. and some other markets, "Information technology Don't Come Easy" was Starr's debut single in the UK and most other countries.[fifty] [51]

The NME 'southward Alan Smith described the song as "undoubtedly one of the best, thumpin'est things the Starr man has ever done", with a "very strong hook" and, cheers to Harrison, a "fat, pumping backing full of guts and stuff". Smith was disquisitional of Starr'due south vocal, merely concluded: "on the credit side we take an inventive listen and a dry wit coming more than and more into play with better songs. One day he may even write a masterpiece."[52] [53] Billboard 'southward reviewer admired the single every bit Starr's "almost commercial solo effort" yet and said that "Potent Top 40 rock material and vocal workout has information technology to have him all the style."[54] Cash Box described the song every bit "stunning and delightful".[55] Peter Jones of Tape Mirror praised the guitars and drums, and predicted an "easy" top-five striking. He wrote that "At first hearing, it didn't mean much – merely it has a built-in grow-on-y'all appeal."[56]

The unmarried was heavily promoted by Apple tree.[57] [58] It peaked at number 4 on the U.k. Singles Chart[59] and number 5 on Melody Maker 's national chart.[sixty] In the United states of america, the song reached number 4 on the Billboard Hot 100[61] and topped the charts compiled by Cash Box (for one week)[62] and Record Globe.[3] Information technology was too number 1 on the RPM 100 in Canada[63] and a top-five hit in many other countries around the world.[64] Starr'due south unmarried outsold those released by his sometime bandmates effectually this time:[44] Lennon's "Power to the People", Paul McCartney'due south "Another Twenty-four hours" and Harrison's "Bangla Desh".[28] Fans' attention was also fatigued to the B-side, to which Lennon and Harrison had contributed,[65] [66] every bit Starr offered his view of how probable each of the other ex-Beatles was to brand music with him again.[67] [68] The single was certified gold by the Recording Industry Association of America on iii Baronial,[69] signifying US sales of 1 million.[3]

The assuredness and commercial success of "It Don't Come Easy" came as a surprise to commentators who had written off Starr's potential as a solo artist.[67] [nb 5] Author Peter Doggett writes that with Harrison's "My Sweet Lord" easily outselling whatever of the erstwhile bandmates' singles in the year afterward their suspension-upwards, Starr'southward achievement was similarly part of a "decisive shift in power" and encouraged speculation that competition between the iv solo artists could inspire "the quartet to new creative heights".[71] In an interview with Melody Maker that summer, Starr said he hoped to record a full album in the "poppy" style of "Information technology Don't Come Easy" in one case he had completed filming his office in the Spaghetti Western Blindman.[xi] Although he recorded a follow-up single with Harrison, "Dorsum Off Boogaloo",[72] Starr avoided committing to a new album project for two years, and instead took on further picture roles.[73] [74] [nb vi]

The 22 April 1971 edition of the BBC Television show Top of the Pops showed the promotional film for the song, prepared by Apple.[76] On 27 April, Starr was in Norway to shoot another promo clip for "Information technology Don't Come Easy", which was circulate two days later on Tiptop of the Pops.[76] [nb 7] Starr was filmed performing the song live in Stockholm on 24 June backed by an orchestra, for the BBC Tv set show Cilla,[77] which aired on 27 November.[78] Further to his breakthrough as a solo artist, Starr'south public contour was lifted by the formation of the outset fan club devoted to him, and he was voted Top Drummer in the NME readers' poll for 1971.[79]

Performance at the Concert for Bangladesh [edit]

[Starr's] appearance also rekindled the past. Shaking his caput to the rhythm every bit he had in 1964, he seemed like a living incarnation of the Beatles of quondam, spreading their ageless magic throughout the hall.[80]

– Author Peter Doggett

Backed by Harrison and a big band that included Voormann, Keltner and Badfinger, Starr performed "It Don't Come Piece of cake" equally his vocal turn at the two Concert for Bangladesh shows, held at Madison Square Garden in New York on 1 August 1971.[81] Starr had been among the first musicians to respond when Harrison began organising the event,[82] and extricated himself from his filming commitments in Kingdom of spain for Blindman.[83] The shows marked the showtime time that two Beatles had shared a concert phase in the US since the ring quit touring in August 1966, and they were also Starr'due south first public concert performances since that time.[84] Starr forgot some of the words to the song.[28] According to Beatles biographer Nicholas Schaffner, he nevertheless "received the show'southward biggest ovation" for his turn in the spotlight.[85] [nb 8]

The evening performance of "It Don't Come Easy" was included on the Concert for Bangladesh triple album[87] and in the 1972 Apple Films documentary film of the aforementioned proper noun.[88] A Rolling Stone writer commented that "Seeing Ringo Starr drumming and singing on stage has a joy in it that is one of the happiest feelings on globe still."[89] In his album review for the same publication, Jon Landau approved of the conclusion to retain Starr's live vocal, maxim that his idiosyncratic delivery and "tremendous good-nature and humor" added to the authenticity of the concert.[90]

Writing in The Village Voice soon after attending the event, critic Robert Christgau conceded his favouritism towards Starr when ruing how Harrison, at the front of the stage, blocked his view of the drummer dressed in "thou ole black-on-black" as he sang "It Don't Come up Piece of cake". Christgau described Starr'southward demeanour during the functioning every bit "chock with tranquility happiness, as if later eight years he still couldn't quite believe his own expert fortune"; he cited this deferential quality equally the reason why "unlike the others he remains immune to the vagaries of our affection. Ringo is our representative on the Beatles."[91] [nb nine]

Subsequent releases and other live versions [edit]

The studio version of the song remained unavailable on an LP until the release of Starr'southward 1975 Apple tree greatest hits compilation, Blast from Your Past.[92] Information technology was as well heard in the 1978 NBC-TV special Ringo.[93] Although Starr recorded new versions of several songs for the special, the released recording of "Information technology Don't Come Like shooting fish in a barrel" was used.[94]

According to writer Andrew Grant Jackson, "Information technology Don't Come Like shooting fish in a barrel" became the creative person's "signature single";[95] Nick DeRiso of Ultimate Archetype Rock describes it as "a kind of theme vocal for Starr".[96] Starr's re-recording of "Dorsum Off Boogaloo" for his 1981 album Stop and Smell the Roses references the vocal, along with several Beatles tracks,[97] by reprising Harrison's opening guitar riff.[98] On 12 March 1984, EMI released a UK unmarried pairing "It Don't Come Easy" and "Back Off Boogaloo" as role of the visitor'southward Golden 45s serial.[99]

Starr has frequently performed "It Don't Come Easy" in concert with his All-Starr Band.[58] [100] He included it in the set listing for his July–September 1989 American tour, and a performance of the song opens the 1990 album Ringo Starr and His All-Starr Band [101] and the 2001 live compilation The Anthology... Then Far.[102] Information technology was also included on a bonus v-inch CD single issued with the US limited edition deluxe CD version of Ringo Starr and His All-Starr Band.[103] Recorded at The Bottom Line in New York in May 1998,[104] his live version for VH1 Storytellers appeared on the anthology and video releases from the program.[105]

In 1991, "It Don't Come Piece of cake" was added as a bonus track on the CD version of Ringo, along with Early on 1970" and "Down and Out". Starr'southward vocal "Don't Go Where the Road Don't Go" from his 1992 album Fourth dimension Takes Time includes a homage to the vocal during the bridge with the line "Well I said it don't come easy, well I sure know how information technology feels". His song "Centre to Eye" from his 2003 album Ringo Rama starts with the lines "Remember when I said it don't come easy / That seems and then long ago".

Covers and appearances [edit]

The song was the opening theme of the 1973-1975 ABC late night talk evidence Expert Nighttime, America hosted by Geraldo Rivera.

In 1987, a comprehend version of "It Don't Come Easy" was used in a commercial for vii-Eleven using the slogan "Where the good things come easy".

In 1991, along with a guest appearance by Starr, the song was featured in The Simpsons episode "Brush with Greatness". The song is used as inspirational background music for a montage of Marge Simpson painting a portrait of Mr. Burns.

On her 2010 release Interpretations: The British Rock Songbook, Bettye LaVette included a slowed down bluesy version of the vocal.

The song was covered past the American band the Smithereens on their anthology of rarities, Set on of the Smithereens. A cover is featured in the 2014 moving-picture show The Identical.

Morse/Portnoy/George released this as their second single from their 2020 covers album Cov3r to Cov3r on 19 June 2020.[106]

In 2020, Peter Frampton covered information technology to gloat Starr's 80th birthday.

Personnel [edit]

Co-ordinate to Bruce Spizer, the following musicians played on the released version of "It Don't Come Easy":[27]

  • Ringo Starr – vocals, drums
  • George Harrison – guitars
  • Gary Wright – piano
  • Klaus Voormann – bass
  • unknown session musicians[107] – horns
  • Mal Evans – tambourine
  • Pete Ham, Tom Evans – backing vocals

Nautical chart functioning [edit]

Notes [edit]

  1. ^ Co-ordinate to Woffinden, the vocal's bulletin reflects the pressure Starr felt "to deliver something of his own, and ... the fact that he didn't feel himself naturally up to the task".[six]
  2. ^ In a mid-1971 interview with Melody Maker, Starr said he typically took his song ideas to Harrison, "who puts in five more chords and yous all say, 'God, look at that, see the way he [Starr] wrote that vocal with all those chords?' Ha, ha, ha."[xi]
  3. ^ Around this time, Stills collaborated with Starr and Harrison on Doris Troy's self-titled album for Apple tree Records,[20] and Starr played drums on his 1970 album Stephen Stills.[21]
  4. ^ In his description of the recording, Scott does not proper noun whatsoever of the horn players.[40] Rather than Wright, he recalls Leon Russell as the pianist on "It Don't Come Easy" and includes Troy among the backing singers.[41]
  5. ^ Writing later in the 1970s, NME critics Roy Carr and Tony Tyler commented on the irony that Starr's debut single was and so disarming whereas McCartney's was full of bourgeois sentiments and "disappointingly mediocre".[70]
  6. ^ According to Bob Woffinden, this was in reaction to the commercial failure of Beaucoups of Dejection in late 1970, which itself was caused past the public's disappointment at Starr'due south "grievous faux pas", Sentimental Journeying.[75]
  7. ^ Aired just once in the 1970s, this version was repeated on 2 August 1993, equally part of Top of the Pops re-showings.[76]
  8. ^ Starr had the lyrics written out and fixed to his pulsate kit, but he was unable to read them nether the concert lighting. Rodriguez writes that the 1972 concert moving picture The Concert for Bangladesh shows Starr "visibly touched" past the audition'southward response, which was further to their emotion at seeing him and Harrison on stage once again.[86]
  9. ^ Christgau also said the pairing of "Information technology Don't Come Easy" and "Early 1970" was "the best unmarried any ex-Beatle has released".[91]

References [edit]

  1. ^ Everett 1999, p. 206.
  2. ^ Ruttenberg, Jay (24 July 2003). "R-I-N-G-O". Time Out New York. Archived from the original on 31 December 2014. Retrieved 31 December 2014.
  3. ^ a b c d Spizer 2005, p. 293.
  4. ^ a b c d Rodriguez 2010, p. 28.
  5. ^ a b MacFarlane 2019, p. lxxx.
  6. ^ a b Woffinden 1981, p. 45.
  7. ^ Hunt 2005, p. ten.
  8. ^ Clayson 2003, pp. 218–19.
  9. ^ Woffinden 1981, pp. 45, 77.
  10. ^ a b c Jackson 2012, p. 32.
  11. ^ a b Watts, Michael (31 July 1971). "Ringo". Melody Maker. p. xv.
  12. ^ Irwin, Corey (18 March 2019). "109 Magical Nights: The Most Crawly Alive Anthology from Every Rock Legend". Ultimate Classic Stone . Retrieved 23 Apr 2021.
  13. ^ "Why Ringo Starr'southward 'It Don't Come Easy' Features Random 'Hare Krishna' in the Mix". W24. 17 October 2020. Retrieved 23 Apr 2021 – via Ebene Magazine.
  14. ^ a b c d Miles 2001, p. 369.
  15. ^ Rodriguez 2010, pp. 22, 23.
  16. ^ Unterberger 2006, p. 272.
  17. ^ Doggett 2011, p. 105.
  18. ^ Rodriguez 2010, pp. 28–29.
  19. ^ a b c d Unterberger 2006, p. 297.
  20. ^ Castleman & Podrazik 1976, pp. 91, 200–01.
  21. ^ Winn 2009, p. 375.
  22. ^ Winn 2009, pp. 371–72.
  23. ^ Miles 2001, p. 370.
  24. ^ a b c Rodriguez 2010, p. 29.
  25. ^ Spizer 2005, pp. 293–94.
  26. ^ Miles 2001, pp. 370, 371.
  27. ^ a b c d e Spizer 2005, p. 294.
  28. ^ a b c Harry 2004, p. 224.
  29. ^ a b Madinger & Easter 2000, p. 498.
  30. ^ Clayson 2003, pp. 202, 392.
  31. ^ Schaffner 1978, pp. 138, 140.
  32. ^ Doggett 2011, pp. 140–41.
  33. ^ Ingham 2006, p. 139.
  34. ^ Matovina 2000, p. 125.
  35. ^ Harry 2004, p. 223.
  36. ^ Unterberger 2006, p. 294.
  37. ^ Badman 2001, p. 14.
  38. ^ Terrill, Marshall (25 July 2012). "Beatles' recording engineer Ken Scott reveals behind the scenes details on working with The Fab Four". Daytrippin' . Retrieved 22 April 2021.
  39. ^ Schaffner 1978, p. 115.
  40. ^ MacFarlane 2019, pp. 81, 87.
  41. ^ MacFarlane 2019, p. 81.
  42. ^ Simons, David (February 2003). "The Unsung Beatle: George Harrison's behind-the-scenes contributions to the world's greatest ring". Audio-visual Guitar. p. lx. Archived from the original on ten October 2007. Retrieved 21 April 2021.
  43. ^ Kubernik, Harvey (July 2011). "With a Little Help from His Friends: George Harrison and the Concert for Bangla Desh". Rock's Backpages. Retrieved 23 March 2016.
  44. ^ a b Clayson 2003, p. 219.
  45. ^ Harry 2004, p. 182.
  46. ^ Castleman & Podrazik 1976, p. 100.
  47. ^ Badman 2001, p. 33.
  48. ^ Harry 2004, p. 183.
  49. ^ Hunt 2005, p. 14.
  50. ^ Carr & Tyler 1978, pp. 92, 95.
  51. ^ Madinger & Easter 2000, pp. 497, 498.
  52. ^ Smith, Alan (24 Apr 1971). "Singles Reviews". NME. p. 20.
  53. ^ Hunt 2005, p. 33.
  54. ^ Billboard Review Panel (17 April 1971). "Spotlight Singles". Billboard. p. 54. Retrieved 24 March 2016.
  55. ^ "CashBox Record Reviews" (PDF). Cash Box. April 24, 1971. p. twenty. Retrieved 2021-12-10 .
  56. ^ Jones, Peter (17 Apr 1971). "Mirrorpick". Record Mirror. p. xviii.
  57. ^ Carr & Tyler 1978, p. 95.
  58. ^ a b Ingham 2006, p. 143.
  59. ^ Schaffner 1978, p. 149.
  60. ^ Castleman & Podrazik 1976, p. 341.
  61. ^ Castleman & Podrazik 1976, p. 352.
  62. ^ "Greenbacks Box Pop Singles – 1971". cashboxmagazine.com . Retrieved 25 April 2021.
  63. ^ a b "RPM 100 Singles, July 4, 1971". Library and Athenaeum Canada. Archived from the original on 13 March 2016. Retrieved 23 March 2016.
  64. ^ Clayson 2003, pp. 219–20.
  65. ^ Doggett 2011, p. 145.
  66. ^ Jackson 2012, p. 46.
  67. ^ a b Schaffner 1978, p. 140.
  68. ^ Rodriguez 2010, pp. 29–30.
  69. ^ Castleman & Podrazik 1976, p. 332.
  70. ^ Carr & Tyler 1978, pp. 94, 95.
  71. ^ Doggett 2011, p. 166.
  72. ^ Clayson 2003, p. 223.
  73. ^ Ingham 2006, pp. 139–40.
  74. ^ Rodriguez 2010, p. 42.
  75. ^ Woffinden 1981, p. 36–37.
  76. ^ a b c Badman 2001, p. 34.
  77. ^ Harry 2004, p. 174.
  78. ^ Badman 2001, p. 39.
  79. ^ Clayson 2003, p. 220.
  80. ^ a b Doggett 2011, p. 175.
  81. ^ Badman 2001, pp. 43–44.
  82. ^ Doggett 2011, p. 173.
  83. ^ Chase 2005, p. 41.
  84. ^ Clayson 2003, p. 221.
  85. ^ Schaffner 1978, p. 146.
  86. ^ Rodriguez 2010, pp. 107–08.
  87. ^ Spizer 2005, p. 243.
  88. ^ Madinger & Easter 2000, p. 438.
  89. ^ Schaffner 1978, pp. 147–48.
  90. ^ Landau, Jon (3 February 1972). "George Harrison, Concert for Bangladesh". Rolling Stone. Archived from the original on 22 December 2012. Retrieved 20 February 2021.
  91. ^ a b Christgau, Robert (September 1971). "Living Without the Beatles". The Village Phonation – via robertchristgau.com.
  92. ^ Rodriguez 2010, p. 123.
  93. ^ Rodriguez 2010, p. 334.
  94. ^ Madinger & Easter 2000, pp. 515–16.
  95. ^ Jackson 2012, p. 25.
  96. ^ DeRiso, Nich (27 March 2015). "Why Ringo Starr Began His Solo Career with 'Sentimental Journey'". Ultimate Classic Rock . Retrieved 28 Apr 2021.
  97. ^ Harry 2004, p. xiv.
  98. ^ Rodriguez 2010, p. 34.
  99. ^ Badman 2001, p. 333.
  100. ^ Everett 1999, pp. 206–07.
  101. ^ Madinger & Easter 2000, pp. 529, 648.
  102. ^ Ingham 2006, p. 146.
  103. ^ Madinger & Easter 2000, p. 648.
  104. ^ Badman 2001, p. 593.
  105. ^ Madinger & Easter 2000, pp. 559–sixty.
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  107. ^ MacFarlane 2019, p. 87.
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  121. ^ "Detail Brandish - RPM - Library and Archives Canada". Library and Athenaeum Canada. Archived from the original on 2016-04-05. Retrieved 2016-10-03 .
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  123. ^ "Top 100 Yr Cease Charts: 1971". cashboxmagazine.com. Retrieved 2016-05-30 .

Sources [edit]

  • Badman, Keith (2001). The Beatles Diary Volume 2: Later on the Pause-Upwards 1970–2001. London: Charabanc Press. ISBN978-0-7119-8307-6.
  • Carr, Roy; Tyler, Tony (1978). The Beatles: An Illustrated Record. London: Trewin Copplestone Publishing. ISBN0-450-04170-0.
  • Castleman, Harry; Podrazik, Walter J. (1976). All Together At present: The First Consummate Beatles Discography 1961–1975. New York, NY: Ballantine Books. ISBN0-345-25680-8.
  • Clayson, Alan (2003). Ringo Starr. London: Sanctuary. ISBN1-86074-488-5.
  • Doggett, Peter (2011). You lot Never Give Me Your Money: The Beatles After the Breakup. New York, NY: It Books. ISBN978-0-06-177418-eight.
  • Everett, Walter (1999). The Beatles as Musicians: Revolver Through the Album. New York, NY: Oxford Academy Press. ISBN978-0-nineteen-512941-0.
  • Harry, Bill (2004). The Ringo Starr Encyclopedia. London: Virgin Books. ISBN978-0-7535-0843-5.
  • Hunt, Chris, ed. (2005). NME Originals: Beatles – The Solo Years 1970–1980. London: IPC Ignite!.
  • Ingham, Chris (2006). The Rough Guide to the Beatles. London: Rough Guides. ISBN1-84353-720-6.
  • Jackson, Andrew Grant (2012). Notwithstanding the Greatest: The Essential Solo Beatles Songs. Lanham, MD: Scarecrow Press. ISBN978-0-8108-8222-5.
  • MacFarlane, Thomas (2019). The Music of George Harrison. Abingdon, Britain: Routledge. ISBN978-1-138-59910-9.
  • Madinger, Flake; Easter, Mark (2000). Eight Arms to Concord Y'all: The Solo Beatles Compendium. Chesterfield, MO: 44.1 Productions. ISBN0-615-11724-4.
  • Matovina, Dan (2000). Without You lot: The Tragic Story of Badfinger. Frances Glover Books. ISBN0-9657122-two-2.
  • Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Passenger vehicle Printing. ISBN0-7119-8308-9.
  • Rodriguez, Robert (2010). Fab Four FAQ two.0: The Beatles' Solo Years, 1970–1980 . Milwaukee, WI: Backbeat Books. ISBN978-ane-4165-9093-4.
  • Schaffner, Nicholas (1978). The Beatles Forever. New York, NY: McGraw-Hill. ISBN0-07-055087-5.
  • Spizer, Bruce (2005). The Beatles Solo on Apple tree Records. New Orleans, LA: 498 Productions. ISBN0-9662649-5-9.
  • Unterberger, Richie (2006). The Unreleased Beatles: Music & Film. San Francisco, CA: Backbeat Books. ISBN978-0-87930-892-6.
  • Winn, John C. (2009). That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970. New York, NY: Three Rivers Press. ISBN978-0-307-45239-ix.
  • Woffinden, Bob (1981). The Beatles Autonomously. London: Proteus. ISBN0-906071-89-v.

Further reading [edit]

  • Lewisohn, Mark (1992). Complete Beatles Chronicle. Harmony. ISBN978-0-517-58100-1.
  • Whitburn, Joel (2000). The Billboard Book of Top twoscore Hits (7th Rev ed.). Watson-Guptill Publications. p. 598. ISBN978-0-8230-7690-ane.

External links [edit]

  • Ringo Starr - It Don't Come up Easy on YouTube

alexanderellow1964.blogspot.com

Source: https://en.wikipedia.org/wiki/It_Don%27t_Come_Easy

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